In the intricate interplay of visual arts, typography serves as a subtle but powerful tool to reflect and create identities. Due to the frequently changing nature of language and intense interaction between people and writing, typefaces can be classified as one of the indicators of identities in personal, cultural, national, or political contexts. Typography also has a close relationship with historical events because the political and ideological reflection of typography is mainly determined by its historical and traditional development, and this connection enables typographic elements like typefaces to transmit the historical fragments embedded in the visual appearance of glyphs (Morison in Billard 6). Although typography is one of the out-of-sight components among visual materials, typefaces are not only vital tools for expressing existing identities, such as personal, cultural, national, and political, but also versatile instruments for constructing an identity; typographic choices like anatomy and stroke form of the letters have a profound effect on perceptions and portrayals of identity by conveying fragments that belong to a specific group.
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